Paulo de Assis about the epistemic thing in musical performance:
\u201cIf we require the performance to be an idealized act of interpretation \u2026 we take away the possibility for epistemic things to emerge or to unfold into unforeseen dimensions \u2026 If we want to give credibility to performance as an instance, among others, of epistemic activity, we need a concept such as \u201cexperimentation\u201d that creates space in relation to the score (\u2026) allowing unpredictable futures to happen.\u201d<\/p>\n\n\n\n
in: Schwab Michael (2013): Experimental\nSystems. Future Knowledge in Artistic Research. P. 160<\/p>\n","protected":false},"excerpt":{"rendered":"
Paulo de Assis about the epistemic thing in musical performance: \u201cIf we require the performance to be an idealized act of interpretation \u2026 we take away the possibility for epistemic things to emerge or to unfold into unforeseen dimensions \u2026 If we want to give credibility to performance as an instance, among others, of epistemic…<\/p>\n