{"id":2345,"date":"2017-04-05T10:42:56","date_gmt":"2017-04-05T10:42:56","guid":{"rendered":"http:\/\/blog.trans.zhdk.ch\/remotespacin\/?p=2345"},"modified":"2017-06-03T11:20:34","modified_gmt":"2017-06-03T11:20:34","slug":"the-replicator-3-7-4-27-28-5","status":"publish","type":"post","link":"https:\/\/blog.mtr.zhdk.ch\/remotespacin\/the-replicator-3-7-4-27-28-5\/","title":{"rendered":"The Replicator 3-7.4 & 27-28.5"},"content":{"rendered":"

Replication is the basic motor of biological and social life. The Latin root of Replication is Plico, meaning to fold up or double up. Like folding a piece of paper on itself, a multiplicity is created from a whole and like the folded paper; opposites meet and literally confront one another. In what ways can a historical replica confront and question the present for the future? Can a replica allow us to experience something remote in geographic space? Moreover what constitutes a replica in terms of material, scale, and visual similarity?<\/p>\n

Writing is an important part of this course. “Life imitates Art far more than Art imitates Life.” This sentence in Oscar Wilde\u2019s essay The Decay of Lying<\/em> (1889) is license for literature to shape reality. We will explore how writing can be used to turn something into its own representation and how this representation can take primacy over the original.<\/p>\n

Students are\u00a0also introduced to material techniques as well such of mold making and casting, 3D scanning and printing through experiments. Each day will consist of readings, lectures, and discussions that question the conventions of linear history, authorship, originality, and mechanical reproduction.<\/p>\n

Highlights of the week 3-7.4\u00a0<\/strong><\/p>\n

\"\" \"\" \"\" \"\" \"\" \"\" \"\"<\/p>\n

\"\" \"\"<\/p>\n

 <\/p>\n

27&28.5 The Replicator Exhibition at the Nordfl\u00fcgel of the Gessnerallee<\/strong><\/p>\n

Installations:<\/strong><\/p>\n

 <\/p>\n

\u00a0<\/strong>No love needed<\/strong><\/p>\n

Melinda Bieri <\/strong><\/p>\n

performative installation<\/p>\n

Asexual reproduction \u2013 all we need<\/p>\n

to grow is sweetness.<\/p>\n

Baby mushrooms given for adoption<\/p>\n

 <\/p>\n

X St\u00fcck Mensch<\/strong><\/p>\n

Dorothea Mildenberger <\/strong><\/p>\n

a.k.a. mc-swaghetti\u00a0<\/strong><\/p>\n

video installation<\/p>\n

A piece of a human.<\/p>\n

or two humans.<\/p>\n

or is it many pieces of one human?<\/p>\n

in any case: they meet.<\/p>\n

ein st\u00fcck Mensch.<\/p>\n

oder zwei Menschen.<\/p>\n

oder sind es viele st\u00fccke<\/p>\n

eines Menschen?<\/p>\n

jedenfalls: sie treffen sich.<\/p>\n

 <\/p>\n

fuga econ\u00f3mica<\/strong><\/p>\n

Simone Mutti<\/strong><\/p>\n

video<\/p>\n

Fugue [fyg] nom f\u00e9minin<\/p>\n

(latin fuga<\/em> \u00ab\u00a0fuite\u00a0\u00bb, de fugere<\/em> \u2192\u00a0fuir)<\/p>\n

    \n
  1. Action, fait de s’enfuir momentan\u00e9ment<\/li>\n<\/ol>\n

    du lieu o\u00f9 l’on vit habituellement.<\/p>\n

    \u2799\u00a0escapade, fuite. Faire une fugue.<\/em><\/p>\n

      \n
    1. Composition musicale \u00e9crite<\/li>\n<\/ol>\n

      dans le style du contrepoint<\/p>\n

      et dans laquelle un th\u00e8me et<\/p>\n

      ses imitations successives forment<\/p>\n

      plusieurs parties. Fugue \u00e0 deux, trois voix.<\/em><\/p>\n

      \u00a0<\/em>\u00a0<\/strong><\/p>\n

      Dancing With Myself<\/strong><\/p>\n

      Simone Mutti<\/strong><\/p>\n

      Simulator<\/p>\n

      Come and have a dance with yourself.<\/p>\n

      Two persons needed.<\/p>\n

       <\/p>\n

      Sobject<\/strong><\/p>\n

      Kathrin Doppler<\/strong><\/p>\n

      Ausz\u00fcge aus live Experimenten<\/p>\n

      Performance: Rosie Terry Toogood<\/p>\n

      Subjekt und Objekt treten<\/p>\n

      gemeinsam auf: Der menschliche<\/p>\n

      K\u00f6rper als Material und das<\/p>\n

      Objekt als<\/p>\n

      lebendiger Akteur.<\/p>\n

      Wer versteht die Welt noch?<\/p>\n

       <\/p>\n

      Meatme<\/strong><\/p>\n

      Kathrin Doppler<\/strong><\/p>\n

      Video, Schokolade<\/p>\n

      Performance: Rosie Terry Toogood<\/p>\n

      Wir verschmelzen,<\/p>\n

      gehen ineinander auf,<\/p>\n

      werden eins.
      \n<\/strong><\/p>\n

       <\/p>\n

      Perfromances:<\/strong><\/p>\n

       <\/p>\n

      The Original<\/strong><\/p>\n

      Melinda Bieri<\/strong><\/p>\n

      print-on-demand installation<\/p>\n

      Live signed prints.<\/p>\n

      \u201eI am the original\u201c,<\/p>\n

      says the first born.<\/p>\n

      \u201eI am the original\u201c<\/p>\n

      answers the second born.<\/p>\n

      So do the following ones.<\/p>\n

      Is time the indicator for originality?<\/p>\n

       <\/p>\n

      Danger-new collectors!<\/strong><\/p>\n

      Diana Lira<\/strong><\/p>\n

      auction \/ performance<\/p>\n

      An one-work exhibition<\/p>\n

      about the art market report of 2016.<\/p>\n

      Participate and get your own Warhol.<\/p>\n

       <\/p>\n

      Y M M Y G M Y<\/strong><\/p>\n

      \u00a0 \u00a0 u \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 a<\/strong><\/p>\n

      Peter Tr\u00e4nkle<\/strong><\/p>\n

      \u00a0<\/strong>Live-production and sale<\/p>\n

      of post-soviet-train-coaches<\/p>\n

      out of chocolate from<\/p>\n

      Switzerland and Kazakhstan.<\/p>\n

      Buy it! Eat it! Be it!<\/p>\n

       <\/p>\n

      in progress<\/strong><\/p>\n

      Simone Mutti <\/strong><\/p>\n

      Live bar-intervention<\/p>\n

      \u00a0<\/strong><\/p>\n

      \"\" \"\" \"\" \"\" \"\" \"\"<\/p>\n","protected":false},"excerpt":{"rendered":"

      Replication is the basic motor of biological and social life. The Latin root of Replication is Plico, meaning to fold up or double up. Like…<\/p>\n","protected":false},"author":19,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"h5ap_radio_sources":[],"footnotes":"","_links_to":"","_links_to_target":""},"categories":[75],"tags":[],"class_list":["post-2345","post","type-post","status-publish","format-standard","hentry","category-seminar-fall-2016","masonry-post"],"_links":{"self":[{"href":"https:\/\/blog.mtr.zhdk.ch\/remotespacin\/wp-json\/wp\/v2\/posts\/2345","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blog.mtr.zhdk.ch\/remotespacin\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.mtr.zhdk.ch\/remotespacin\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.mtr.zhdk.ch\/remotespacin\/wp-json\/wp\/v2\/users\/19"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.mtr.zhdk.ch\/remotespacin\/wp-json\/wp\/v2\/comments?post=2345"}],"version-history":[{"count":5,"href":"https:\/\/blog.mtr.zhdk.ch\/remotespacin\/wp-json\/wp\/v2\/posts\/2345\/revisions"}],"predecessor-version":[{"id":2389,"href":"https:\/\/blog.mtr.zhdk.ch\/remotespacin\/wp-json\/wp\/v2\/posts\/2345\/revisions\/2389"}],"wp:attachment":[{"href":"https:\/\/blog.mtr.zhdk.ch\/remotespacin\/wp-json\/wp\/v2\/media?parent=2345"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.mtr.zhdk.ch\/remotespacin\/wp-json\/wp\/v2\/categories?post=2345"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.mtr.zhdk.ch\/remotespacin\/wp-json\/wp\/v2\/tags?post=2345"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}